This approach makes sense, especially when you look at the example paintings. But I think it’s going to take me a while to make the shift in my head.
Some really quick tonal sketches I did in preparation for a painting I’m going to do. (I previously did a pencil drawing.) They’re pretty rough, but I found the exercise helpful—and fun. I did them to try to decide on an underpainting colour, but they were also good sketching-with-a-brush and value practice. I like theContinue reading “More lamp practice”
These are a couple of my first ever notans. I used Tombow E15 (black) and N65 (grey) brush pens, and the white of the paper. (Odd how the highlights look white but the blank paper outside the borders looks grey. Must be a trick of the eyes—or my crappy phone camera.) I didn’t focus onContinue reading “Three-value notans”
Generally speaking [for a strong painting], you really only need three or four values. Sometimes you need five, depending on the environment. But that is enough. And then… you let hue do the rest of the work. Jill Carver on The Plein Air Podcast Not that this sounds easy to pull off! She also recommendedContinue reading “A gem from Jill Carver”